Roland had replaced the sword onto its stand and moved over to a collection of daggers; they were made of the same material as the sword, but, surprisingly, were much heavier. Like before, Roland didn't really turn to face Henri and instead shouted over his shoulder: "Just some weapons. Cool stuff," he shrugged and looked the weapons back over again; he could probably sneak a dagger off, but, on the other hand, a sword would have been so much cooler.
In order to check out and appreciate the mural, it would make the most sense to begin with the very first segment and move on from there; it started on the left side of the room and had a small engraving, like most other things in the room nearby; in this case, it was just below the mural and read:
Sabah al-Maut
Unlike the words inscribed upon the archway's entrance, these letters did not twist, skitter or otherwise attempt to remove themselves from prying eyes; instead, they seemed far more intricate and sophisticated - there was no feelings of loss and sadness, but, in their place, there was a sensation of terror, anxiety, and . . . excitement.
Like a snake, a shiver would attempt to work its way into a coil down Henri's spine.
The words, if read, would imprint themselves upon Henri’s mind and his vision would blur immediately as the painted pictures on the wall begin to bleed into one another.
Quite suddenly, there was an eruption of sound, of angry shouting and fearful pleads.
If Henri looked to see if Roland was reacting to the sounds, he would be able to see that his friend was quite removed from the situation, he was there, still in sight, but phased out, almost a dim figment of corporeal existence. If he could hear the sounds coming from the mural, it did not show.
Alongside the sounds that the mural was producing, the images were moving, men and women were making demands, speaking and yelling, and a humanoid man, the most natural looking in the picture, made his way through an empty line of space between two great oceans of multi-limbed creatures. The man spoke to no one as he traveled through the city and, eventually, came to a stop just before two unbelievably large doors.
The scene was unfolding during the morning and dealt with the arrival of a foreign power -
Maut, the
Djinn had called him - to the Mother City, to the Point of Reflection, specifically; it was also an unforgivable interruption to the crowning of the last king of Sadh, the Marīd and Ifrīt controlled temple city.
The noise became a deafening roar as the man placed his hand atop the surface of the doors.
Unopened for centuries, the doors slowly creaked open as rays of pristine light shot through the passage. The crowd of
Djinn closed in on itself and grew deathly quiet, expectant and anxious.
Without hesitation, the lone figure continued on his way. His steps echoed, bouncing off the floor, walls, and ceiling of the forbidden place.
Silent, sickening outrage and fear blossomed within the crowd
Only their High King, the lord and ruler of the
Djinn, had ever stepped before the Reflection; it was a holy place that had never once been sullied, defiled or otherwise made to suffer the presence of a heathen. Yet, all gathered knew who graced them, who chose to be the first blasphemer, and who could wipe them all out in an instant - Death, he wore it like a mantle.
The doors slammed with a thundering boom.
The mural grew still once more.